POETRY
A Silence Full of Stars is a collection of poetic fragments where everyday life, memory, and the cosmos meet within a single breath. Blending haiku, short-form poetry, and poetic prose, the author explores those suspended moments when silence becomes a presence and the smallest things reveal the immensity of the world.
Through its two movements, Dawn and Twilight, the texts journey across landscapes, time, the fragility of existence, language, the bonds that connect us to nature, and our place within the universe. Each fragment is an invitation to rediscover, within the infinitely simple, an unsuspected depth.
A Silence Full of Stars offers a poetry of wonder, where every breath, every glimmer of light, and every silence reminds us that we are part of a world infinitely greater than ourselves.
Almost is a poetry collection that explores that quiet territory where things might have turned out differently. The author reflects on missed encounters, restrained gestures, unfinished possibilities, and all those silent moments that shape a life without ever fully coming to pass.
The poems give a voice to the invisible: what never happened, what was avoided, what remained suspended. Far from expressing regret, they invite us to embrace uncertainty and to recognize the value of the paths life ultimately did not take.
At once intimate and universal, Almost is a sensitive reflection on time, chance, and the fragility of our destinies. A collection that reminds us that our story is shaped as much by what happens as by everything that remains forever… almost.
Anatomy of Almost Nothing is a poetry collection that lingers on what usually goes unnoticed: a gesture, a breath, a weariness, light upon the skin, or a silence between two moments. Without narrative or spectacle, the poems observe the body, time, and the objects of everyday life with an almost meditative precision.
Through spare, restrained writing, each poem reveals that what matters most is not found in great events, but in what quietly remains when everything else fades away. Somewhere between contemplation and reflection, this collection invites us to slow down, to fully inhabit the present, and to recognize the richness of almost nothing.
A poetry of attention, where simplicity becomes a way of being in the world.
At the Height of Day is a collection of haiku that follows the quiet rhythm of Quebec’s seasons. From winter to spring, from summer to autumn, each poem captures a moment when everyday life reveals an unexpected depth.
Here, nothing is spectacular: a glimmer of light, a breath, a branch, an open window, or packed snow is enough to reveal what truly matters. Minimalist and contemplative, the writing invites us to slow down, observe, and fully inhabit the present.
Without nostalgia or exaltation, these poems celebrate the patience of the world and the beauty of ordinary things. At the Height of Day is a poetry of attention, where each season becomes a way of seeing, breathing, and living.
Consciousness is a collection of poetry about the passage through life and the gradual awakening of self-awareness.
It explores childhood, memory, love, parenthood, separation, solitude, and renewal.
Throughout the collection, ordinary gestures and familiar places become markers of time and inner transformation.
The poems reflect on identity, loss, resilience, and the ways in which experience shapes who we become.
Silence, light, the passing seasons, and the presence of others form a quiet landscape in which consciousness takes root.
At its core, the collection asks what remains of a life once time has moved on.
It is a meditation on existence, change, memory, and continuity.
Cosmos is a poetry collection that contemplates the universe in order to shed light on the human condition. From the birth of light to the farthest reaches of space, through gravity, orbits, matter, silence, and time, each poem transforms a cosmic reality into a reflection on existence.
Written in a free, minimalist, and deeply contemplative style, the phenomena of the universe become metaphors for our connections, our fragility, our grief, and our sense of wonder. At the crossroads of science and poetry, Cosmos reminds us that we are made of the same matter as the stars and that we carry their memory within us.
A journey in which the infinitely vast reveals, with humility, the beauty and fragility of the infinitely human.
Elements is a poetry collection that celebrates the quiet beauty of everyday life through the four fundamental forces of nature: earth, air, water, and fire. The author invites the reader to slow down, observe, and rediscover the depth found in the simplest gestures, familiar places, and moments so often overlooked.
Each poem opens a window onto what is essential, where light, breath, rain, or a single flame become metaphors for our existence. Rather than trying to explain the world, Elements offers an experience in which silence, simplicity, and wonder are given room to unfold.
At the crossroads of everyday poetry and meditation, this collection reminds us that the greatest truths are sometimes hidden in the humblest things.
The Gravity of Light Things explores those almost imperceptible moments that pass through our lives and quietly transform us. Through delicate, attentive writing, the author lingers on what may seem insignificant: a shifting light, a fading trace, an everyday gesture, a fleeting presence.
Across the four movements that make up the book — Apparitions, Movements, Erasure, and The Witness — the poems explore memory, the passage of time, the fragility of human existence, and the unexpected weight of what appears light. More than a collection about great emotions, The Gravity of Light Things is an invitation to see the world differently, to embrace the ephemeral, and to discover that the quietest moments are often the ones that stay with us the longest.
A book filled with gentleness, silence, and depth, celebrating the beauty of the almost-nothings from which an entire life is made.
The Law of the Snail is a poetry collection that offers a meditation on the great movements of the universe, matter, and humanity. Inspired by the image of the spiral, it explores the idea that nothing moves forward in a straight line: everything returns, transforms, expands, and carries within it the memory of what came before.
Through spare and evocative writing, the author journeys across the origins of the cosmos, the emergence of life, the evolution of civilizations, and the repetition of human gestures. Each poem reveals a world in constant becoming, where every new beginning is never a repetition, but another stage in the same unfolding movement.
At once poetic, philosophical, and universal, The Law of the Snail invites readers to see time, change, and our place within the vast spiral of life differently. A collection that reminds us that everything that exists leaves a trace, and that every return is also a rebirth.
The Probable World is a collection of haiku inspired by the mysteries of quantum physics and by that fascinating boundary where possibility becomes reality. Through writing of great simplicity and restraint, the author explores the passage from uncertainty to certainty, between the world of probabilities and that of matter, time, and the laws that govern the universe.
Divided into two movements — Before Measurement and After Measurement — the haiku offer a meditation on observation, chance, gravity, and the emergence of reality. Without attempting to explain or popularize science, they draw upon its concepts as a source of wonder and reflection on our relationship with the world.
At the crossroads of poetry and philosophical contemplation, The Probable World invites the reader to embrace uncertainty and rediscover the beauty of that fragile moment when everything still remains possible.